AJT ACADEMY

Introduction to Course

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01 Opening a Resolve Archive

02 Setting Up Project Backups

03 Understanding the Grading Workflow

04 Setting Tonal Range and Contrast

04.1 Normalizing with Master Wheels

04.2 Setting Contrast with Increased Flexibility

05 Balancing Colors

06 Understanding Log Controls and Primaries Wheels

2.1 Building a Shot-matching Strategy

2.2 Organizing Shots Using Flags and Filters

2.3 Applying Shot Match

2.4 Matching Shots Using Stills

2.5 Comparing and Matching Shots Manually

2.6 Using Split Screen Views to Compare Multiple Clips

3.1 Controlling the Viewer's Eye

3.1.1 Mimicking a Shallow Depth of Field

3.1.2 Focusing Attention with Vignette copy

3.2 Sharpening Key Elements

3.3 Tracking Obscured Objects

3.4 Fixing Overcast Skies

3.4.1 Using Windows to Limit Qualifiers

3.4.2 Adding Atmosphere

3.5 Warping Colors to a Target

3.6 Enhancing Skin Tones with Face Refinement

3.7 Adjusting Skin Tone Manually

4.0 Conforming from an XML Timeline

4.1 Importing an XML Timeline

4.2 Syncing an offline Reference

4.3 Conforming a Timeline

4.4 Associating HQ Footage with a Timeline for Online Workflows

4.5.1 Maximizing the Dynamic Range

4.5.2 Changing the Output Color Space

4.5.3 Normalizing Exposure with Gamut Mapping

4.5.4 Understanding the Timeline Color Space

5.1 Understanding Node-Based Grade Compositing

5.2 Understanding the Importance of Node Order

5.2.1 Adjusting Contrast and Luminance on Nodes

5.3 Creating Separate Processing Pipelines with a Parallel Mixer Node

5.4 Visualizing Mixer Nodes

5.5 Compositing Color Effects with the Layer Mixer Node

5.5.1 Using Key Inputs and Outputs to Share Matte Data Across Nodes

5.5.2 Impact of Dominance Color Grades on Surrounding Nodes